The Use of Meyerhold’s Biomechanics Training and Principles of Composition in Contemporary Theatre

 

Chloe Beale

U1450399

​

With special thanks to Gennadi Bogdanov, Peter Hulton and Martyn Wilson for spending so many hours in workshops and allowing the use of this footage.

 

The footage recorded by Hulton is of Bogdanov’s workshop in 1999. It was a five-day workshop which took place as part of the International Workshop Festival curated by Dick McCaw annually between 1988 and 2001.

 

The footage recorded by Wilson is documentation of the process of my Practice as Research PhD between September 2014 to May 2016 at the University of Huddersfield.